THE CINEMA OF DONALD CAMMELL

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THE CINEMA OF DONALD CAMMELL DEATH. AND SEX. ART. AND MADNESS. MAGIC. AND PERFORMANCE. by Jeremy Mark Robinson Although Donald Cammells credits consist of a very few titles as a film director – Performance (1970), Demon Seed (1977), White of the Eye (1987) and Wild Side (1995) – he remains one of the most fascinating of British filmmakers. This book explores all of Donald Cammells key movies, his themes and symbols, his cinematic style and direction, and his use of music and visuals. As a writer and director, Donald Cammell directed Performance (1970), a masterpiece combining the British gangster genre with the world of rock n roll, starring Mick Jagger, James Fox and Anita Pallenberg, Demon Seed (1977), a sci-fi chiller starring Julie Christie, White of the Eye (1987), a bizarre American thriller, Wild Side (1995), a kind of erotic thriller, and the unfinished The Argument (1999). Cammells scripts which were made into films include the above five movies, plus Duffy (Robert Parrish, 1968), Tilt (Rudy Durand, 1978) and R.P.M. (Ian Sharp, 1997). Otherwise, Donald Cammells film career is a story of scripts that didnt get made, a series of setbacks, false starts, possible then abandoned projects (but thats a familiar story with most filmmakers – every filmmaker has a drawer full of unmade projects). Performance, Demon Seed, White of the Eye and Wild Side form the centre of this new book. There is also chapter on Cammells unmade productions, his other movie projects, a biography, and sections on his influences and collaborators (including Kenneth Anger, Mick Jagger, the Rolling Stones, Aleister Crowley, and Jean-Luc Godard). A number of aspects strike one immediately when considering the four feature films that Donald Cammell directed
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